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Beatrix Runs!

Get a copy of "Beatrix Runs" on iTunes HERE.

Befriend me and surf by my Facebook Artist Page.

Visit my Digital Music Salon to hear covers, arias and remixes.

Sign up on the left to become part of the Inner Circle.

Your support is invaluable, so pick up a copy of the album, tell all your friends, share the videos and join the Flower Army.

I like to write and fill musical and verbal spaces with ghosts of past experiences and hopes of things to come. Stick around and dream with me.

I love you.

 

 

 

Who is Beatrix? And where is she running to?

  Upcoming performances: L.A. All Ages Residency at the Witzend - June 13, 20, 27.
 

05/25/2012

I believe in fairy tales and serendipitous encounters....

It is windy outside. i am hungry. I have been singing, writing, singing again, and now it's time for some British TV crime drama. Life is good. Next week I go to Russia!

On another note, I received an mp3 of elementary school recital performance of my song Dreamer: as performed by 2nd-5th graders. It seriously made my day!

 

 

Spring Song - new song lyrics

Out in the street

the winter's shedding her disguise

and people smile

and look into each other's eyes

You walk with me

the air's fragrant like a ball

I can't say why

but I am feeling ten feet tall

 

And everyone can hear my melody unfold

the time has come to open up and let go of the old

because it's Spring

there must be something better on the way

awakening, I raise my voice to this Life.

 

You're by my side

Your every word is fresh and new

it must be spring that made me fall in love with you

the green makes way through overwhelming gray concrete

and I can see the flowers blooming down the street

 

And everyone can hear my melody unfold

the time has come to open up and let go of the old

because it's Spring

there must be something magic on the way

awakening, I realize that

 

I want you to stay

I want you to stay

I want you to stay

 

You say to me: 'I know exactly what you mean;

If you say "Go!" - I'll throw my caution to the winds

You may be right and we're a temporary thing

but here's our chance to taste a little bit of spring'..

 

So everyone can hear our melody unfold

the time has come to open up and let go of the old

because it's Spring

there must be something better on the way

and when we sing, we raise our voices to Life.

(EIK@ 2012)

 

Flower_concrete_smaller

 

05/22/2012

You (new song lyrics)

I will be premiering this tonight.

On this:

Looper

 

YOU

I would have given you a world without an end

If you had only crossed that bridge you'd built towards me

I drew a treasure map; you held it in your hand

Because the time before you tried - you nearly lost me

 

It's you, you - the distance I must brave

You, you - the mystery uncharted

You, you - the burning in my veins

You, you - the only thing that matters

 

Of all the continents discovered on my quest

you were the fairest one - a tantalizing vision

So when I landed on your shores, I loved you best

To make a home with you became my worst decision

 

It's you, you - the history I've made

You, you - that bears not repeating

You, you - the silence in my veins

You, you - that keeps my heart from beating

 

Wind is turning on me

waves are churning on the sea

ships are burning...

 

You.

(2012@EIK)

Girl walking on path in water

05/21/2012

Laid So Low (Tears Roll Down)

 

 

"Laid So Low (Tears Roll Down)"

Chewed the bone down too low
Got fed on tea and sympathy
Blew the sail like the wind
I wish you were my enemy
I was humble for you
What a fool I've been to have
Laid so low for so long
Into that void of silence
Where we cry without sound
Where tears roll down
Where tears roll down
And where your mother's violence
Sent your soul underground
Where tears roll down
Where tears roll down
Drew the blade way too slow
Was shackled by your honesty
Made a mess, I guess I have should have known
That life was lust and liberty
Not a chance mutation or the last temptation
Laid so low for so long, so low
Into that void of silence
Where we cry without sound
Where tears roll down
Where tears roll down
And where your mother's violence
Sent your soul underground
Where tears roll down
Where tears roll down
(Tears for Fears)

New Times Roll

I have been busy - finally on a roll and spending most of my time working on music, instead of moping or thinking of 'what ifs?' or 'if I had only' etc.

I pulled out some older songs and now I am adding bits and pieces to them - mostly vocal arrangements - but there will be others, like my first ever remixes and such.

I decided to do it in a semi-public kind of manner - my fans seem to appreciate being able to see the process. Perhaps some things need to only see light of day when they are exactly the way they should be - some songs are like that - but now that my actual record is out, I feel like *that* is the measure by which I may get judged - and so sharing things that are NOT quite perfect and are in progress is not only easier for me, but somewhat rewarding - working on music by yourself can get to be a lonely process.

Plus - I have so much music, so many songs, and so much material begging to see the light of day in one form or another. The old trick of announcing something so you create an expectation and a deadline for yourself does work. This way, when a song makes it out there and I announce that it is being worked on, in fact, now I *have* to do something about it. It is a good thing because it makes me finish things, rather than flit on to the next attraction.

Also, I am a perfectionist at heart. That means that oftentimes it is so easy for me to see/hear flaws in something I have made that just one more reason - and it will never see the light of day - or I will keep it back because something BETTER is on the way - or - well you know what I mean.

At this point in my life I am starting to see that some intelligent editing and holding back is certainly necessary - but I *have* reached a certain level of skill and quality. My songs, my music, my singing and other skills will always keep getting better with practice, time and persistent application. So holding material back because some day it will get so much BETTER - well, it was a valid reason five years ago, but not quite so much anymore.

Yesterday was a solar eclipse. A friend of mine who is a professional astrologer tells me it's a harbinger of New Times: letting of of the things that are no longer necessary or working in your life; situations that are holding you back, fears, even people who may no longer be your match.

I don't quite know what to make of it, but if it is true in any way I would like to welcome this new era with open arms. This time, instead of crying over my edition of Rilke's 'Letters To a Young Poet', I will be submerged in all things musical - whether at the piano, my computer, figuring out bits of new software for recording/arranging - playing guitar - mastering the looping machine (FINALLY!!!) - or wrestling down the Puccini aria I want to sing soon.

And I did a brand new cover! This one is a very subdued version of a Tears For Fears B side: Laid So Low (Tears Roll Down). I think I managed to imbue it with all the angst of the last few weeks. Perhaps it's best it stays there now...

This weekend I got to wear my Flower Boots. Yes. Perhaps I am going to make them a big part of this new era. Wouldn't you?

Flower boots

05/17/2012

the world is not enough - or is it enough?

I am overdue on a number of things, one of which is calling my mom, who is in Russia. I miss her.

It has been a difficult time, emotionally. Perhaps it is time to turn to some literary friends I have acquired over the years. And so I do... to one man who is always with me, because of his words - well you guessed who it is:

..Love your solitude and try to sing out with the pain it causes you. For those who are near you are far away, you write, and this shows that the space around you is beginning to grow vast.

And if what is near you is far away, then your vastness is already among the stars and is very great; be happy about your growth, in which of course you can't take anyone with you, and be gentle with those who stay behind; be confident and calm in front of them and don't torment them with your doubts and don't frighten them with your faith or joy, which they wouldn't be able to comprehend.

Seek out some simple and true feeling of what you have in common with them, which doesn't necessarily have to alter when you yourself change again and again; when you see them, love life in a form that is not your own and be indulgent toward those who are growing old, who are afraid of the aloneness that you trust.

Avoid providing material for the drama, that is always stretched tight between parent and children; it uses up much of the children's strength and wastes the love of the elders, which acts and warms even if it doesn't comprehend.

Don't ask for any advice from them and don't expect any understanding; but believe in a love that is being stored up for you like an inheritance, and have faith that in this love there is a strength and a blessing so large that you can travel as far as you wish without having to step outside it.

(rainer maria rilke, Letters to a Young Poet)

I am learning a lot these days - about myself, my limits, desires and true needs.

The good thing is that the music is flowing freely - I have a full album's material's worth on my iPhone - and that's just my iPhone.

I feel like a phase is ending and another beginning, but I am still in between. It's not the most comfortable place to be, because I like certainty. But perhaps that's just it: learning to be in that place, with patience - that is the lesson.

It appears to me that many of the people I know are having a similar experience. Or perhaps, once again, I am just seeing the world through my own little private lens, that just so happens to be a bit foggy these days.

 

I am doing, however, some good work. There are some interesting covers in progress, as well as originals. I am also wrangling with software and cables. Eck! I hate cables. But, alas, they are necessary in sound engineering of any kind.

Here is a bit of a cover I am putting together. It is a French song I have loved for a while now. I think I'll do another version with English lyrics... well, I'll have to WRITE them first, but it will be a pleasure. And then I'll have to remix it for sure, it's too gorgeous of a melody, it has to go over beats, too.

 

 

It seems to me that almost all our sadnesses are moments of tension, which we feel as paralysis because we no longer hear our astonished emotions living.

Because we are alone with the unfamiliar presence that has entered us; because everything we trust and are used to is for a moment taken away from us; because we stand in the midst of a transition where we cannot remain standing.

That is why the sadness passes: the new presence inside us, the presence that has been added, has entered our heart, has gone into its innermost chamber and is no longer even there, is already in our bloodstream. And we don't know what it was.

We could easily be made to believe that nothing happened, and yet we have changed, as a house that a guest has entered changes. We can't say who has come, perhaps we will never know, but many signs indicate that the future enters us in this way in order to be transformed in us, long before it happens.

And that is why it is so important to be solitary and attentive when one is sad: because the seemingly uneventful and motionless moment when our future steps into us is so much closer to life than that other loud and accidental point of time when it happens to us as if from outside.

The quieter we are, the more patient and open we are in our sadnesses, the more deeply and serenely the new presence can enter us, and the more we can make it our own, the more it becomes our fate; and later on, when it "happens" (that is, steps forth out of us to other people), we will feel related and close to it in our innermost being.

And that is necessary. It is necessary - and toward this point our development will move, little by little - that nothing alien happen to us, but only what has long been our own. People have already had to rethink so many concepts of motion; and they will also gradually come to realize that what we call fate does not come into us from the outside, but emerges from us.

It is only because so many people have not absorbed and transformed their fates while they were living in them that they have not realized what was emerging from them; it was so alien to them that, in their confusion and fear, they thought it must have entered them at the very moment they became aware of it, for they swore they had never before found anything like that inside them.

Just as people for a long time had a wrong idea about the sun's motion, they are even now wrong about the motion of what is to come. The future stands still, dear Mr. Kappus, but we move in infinite space.

Yes, that is definitely me today.

All_Alone_In_Space___n___Time_by_Artillusion

 

Mission for the rest of 2012 is to learn to walk a careful line between smugness and a sort of magnanimous noblesse oblige. And own it.

05/14/2012

Meant - Official Music Video

Julien Lasseur Films Present:
Elizaveta - as Beatrix
Anthony De Baeck - as Emile St. Yvalain
in
Meant
from Beatrix Runs

 

 

05/07/2012

Meant

I have been getting a lot of questions in regards to when the video will premiere.

The answer is: very, very soon:) We are sorting out dates and details. Stay tuned!

I am very excited about it and can't wait to share it with the world.

A side note: this video - just like the Dreamer music video, but definitely more elaborate and involved - is a part of the story of Beatrix... yes, I am playing Beatrix in it, so in a way it's my acting debut;)

But for now, to tie you over, here is a photo of yours truly snapped by i102fly at the Meant video shoot:

 

Meant_hotelscene

05/05/2012

Stormy Ether

There must have been something going on recently in the collective unconscious of the world - the ether - or maybe the planets fighting each other for their respective astrological supremacy. Hard to say. But it was a harsh week.

Today is Saturday and a full moon - it feels better, though. I feel better. I didn't wake up anxious, as I had been doing for over a week, straining to understand why the invisible sounds of life's behind-the-scenes machinery were filling me with dread.

It is not raining. It is only raining in my poem below. But in fact, for the first time in days it is also a morning of generous sunshine without the sprinkling of the rain or marine layer rolling in at first light.

I found this old poem I wrote a while back.

I have not changed since then. Or have I? That is the question.

When I start going mad, I always turn to one man who will never leave my heart - Rainer Maria Rilke.

 

Have patience with everything that remains unsolved in your heart. Try to love the questions themselves, like locked rooms and like books written in a foreign language. Do not now look for the answers. They cannot now be given to you because you could not live them. It is a question of experiencing everything. At present you need to live the question. Perhaps you will gradually, without even noticing it, find yourself experiencing the answer, some distant day".

 

4639088640_c254befda9

 

I thought of you today.

The morning was covered by the blanket of rain

It was so sweet to lie there, half-asleep

and wonder, hazily, at the irony of life.

 

All my days, I am torn between

the safe haven, shining like a beacon

and the Grand Adventure.

But I am unable to give myself up

not for long anyway.

 

Who do you see, when you stare at me so?

A kind of saintly ghostly glow about me, perhaps

or maybe I represent a part of you

lost long ago; stillborn to this world.

 

The water on the roof was the Morse Code

I felt like I was close to knowing the answer.

There comes a time when all that matters

is being your own self, through and through.

 

And if I was with you, I know I would become

a better version of the girl I've only come to know.

No, not the girl: the woman.

I am no longer made of clay. I have been weathered,

beaten, burned and now I do not yield.

 

Your love is like the wind: it tugs; it beckons and embraces

I do not want the wind: I'd rather be with trees.

They stand there, waiting, until I come to them myself

and do not ever judge me.

(EIK, 2011)

04/23/2012

let the alchemical tinkering begin

The secret to life, I have found, is acknowledging once and for all that what is inside you colors everything around you.

If your heart is feeling murky and dull, that brush will tarnish the brightest day.

If, however, you are bursting with gold, everything and everyone around you will glisten, regardless of whether there is any sunshine about.

It is an alchemical process - and the magical alchemical engine, which works every second of your life is right here, right now, inside your own self.

That is also the reason why we almost never inhabit quite the same reality as anyone else: that force that informs our existence is vastly different for everyone. We may see the same things, but we interpret them very differently. If life is a coloring book, we color in the same shapes, but the shades of color are so very varied. 

Today I received some disappointing news... and yet, the strange bubble of joy that has been growing inside me in the recent days, refuses to evaporate. In fact, it works as a shield of sorts - and what would normally deflate me, has merely been accepted by my inner self as yet another twist of the Road. 

And here is this:

 

From Bruce Mau's "Incomplete Manifesto for Growth" :

  1. Allow events to change you. 
    You have to be willing to grow. Growth is different from something that happens to you. You produce it. You live it. The prerequisites for growth: the openness to experience events and the willingness to be changed by them.

  2. Forget about good. 
    Good is a known quantity. Good is what we all agree on. Growth is not necessarily good. Growth is an exploration of unlit recesses that may or may not yield to our research. As long as you stick to good you’ll never have real growth.

  3. Process is more important than outcome. 
    When the outcome drives the process we will only ever go to where we’ve already been. If process drives outcome we may not know where we’re going, but we will know we want to be there.

  4. Love your experiments (as you would an ugly child). 
    Joy is the engine of growth. Exploit the liberty in casting your work as beautiful experiments, iterations, attempts, trials, and errors. Take the long view and allow yourself the fun of failure every day.

  5. Go deep. 
    The deeper you go the more likely you will discover something of value.

  6. Capture accidents. 
    The wrong answer is the right answer in search of a different question. Collect wrong answers as part of the process. Ask different questions.